Shure SM57 Cardioid Dynamic Microphone. The SM-57 is a unidirectional (“cardioid”) dynamic mic that has been used in some respect on 75% of the recordings in your collection — from snare drum to vocals to guitar cabs to, well, everything.
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Many of my regular readers will be familiar with the Shure Level-Loc. For those unfamiliar, the basics: the Level-Loc is a brickwall limiter made by the Shure microphone company for public-address-system use (podium mics, specifically) in the 1960s. It uses discrete transistors and
The Shure 55S The “Elvis Mic” Shure Unidyne (unidirectional) Model 55S dynamic microphone. Throughout his performing career Elvis sang through a multitude of different types of microphones and, at least while touring in the 1950s, was dependent on the venue to provide the PA system (see the venues section).
Find world-renowned microphones, quality wireless systems, premium listening gear, and other audio products from Shure.
Controls shown here installed on a Shure 520 (modified with Switchcraft connector) and a vintage Shure 533SA.
World renowned microphones for Performance, Recording, Installed and Broadcast applications.
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Newest endorser Nic Clark says: “To me, this is the only mic worth owning. A lot of people praise vintage gear and swear by it. Greg has not only captured the soulfulness and air that vintage microphones have, but his new “Heumann element” has brought out something fully rounded and satisfying to amplified harmonica.
Walk into any recording studio, and you’re likely to find Shure microphones in the mic cabinet. SM57s, SM7s, and Beta 52s are never too far away. Considering what we heard from the new line of Beta microphones, you’ll be seeing them too. Read on for Jon Mattox’ studio review of the new Shure
